Rapper and deejay DJ Unk (Anthony Leonard Platt) poses for pictures after his efficiency through the ‘Faculty Soar-Off’ live performance on the DuSable Museum in Chicago, Illinois in June 2007.
Raymond Boyd/Getty Photographs
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Raymond Boyd/Getty Photographs
In 2006, Atlanta hosted BET’s first annual Hip Hop Awards on the famed Fox Theatre, an unofficially official announcement to the remainder of the world that Atlanta all however cemented its place because the epicenter of rap. The nominees learn like an inventory of native highschool yearbook superlatives with Atlanta-based artists and producers current in every class, and those self same artists accounted for greater than half of the stage performances — with main label-backed hitmakers Jermaine Durpi, Jeezy, Ludacris, Lil Jon and T.I. all taking house, a few of them showing greater than as soon as. But it surely was the closing efficiency from an impartial rapper and native social gathering starter that appropriately stole the present: DJ Unk doing “Stroll It Out.”
For the VIP guests within the crowd, who doubtless went from the aircraft to the resort, possibly to the luxury Lenox Mall, after which to the present, Unk’s presence on the star-studded ceremony was among the many most genuine showcases of town they’d get. Sure, Durpi and Luda carried out town’s theme music, “Welcome To Atlanta,” that evening, and Jeezy introduced Magic Metropolis poles and dancers on stage. However Unk known as again to town’s wealthy dance and style histories and had dozens of individuals “stroll it out” down every aisle, wearing custom-made airbrushed and painted t-shirts, actually throwing the vitality of Atlanta into all people’s lap.
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On Friday, January 24, 2025, Unk, born Anthony Leonard Platt, handed away in his sleep from a coronary heart assault at 43, leaving individuals who nonetheless have recollections of that efficiency and the time it represented coronary heart damaged. A proud “Grady Child” — the endearing time period describing anybody born in Atlanta’s largest hospital, Grady Memorial — Unk’s rise to stardom began as a member of the Southern Model DJs, a collective that labored beneath the umbrella of revered indie file label Large Oomp Information, based by road entrepreneur-turned-businessman Korey “Large Oomp” Roberson. Large Oomp launched “Stroll It Out” in 2006, and the music went High 10 on the Sizzling 100 and achieved platinum standing. On the power of “Stroll It Out” and the follow-up single “2 Step,” Unk turned the largest star the label ever had, standing because the transient however beaming fruits of its efforts. Collectively they represented a hyperlocal grassroots motion that mirrored Atlanta in addition to anything, even in shifting the nationwide zeitgeist.
Impressed by the favored “Poole Palace” dance and produced by Large Oomp’s in-house beatsmith DJ Montay, who additionally produced “2 Step” and Flo Rida’s “Low,” the synth-driven bounce of “Stroll It Out” gave listeners a passport to the hoods and golf equipment of Atlanta, coming at a time when regionalism was nonetheless a factor in hip-hop. The blatantly Southern hip-hop observe dropped in 12 months when native scenes throughout the nation had been pushing distinctive kinds and sounds; followers had been nonetheless in a position to get a sniff of West Coast G-Funk with Snoop Dogg’s Tha Blue Carpet Therapy, a uncooked really feel for mid-Atlantic road life on Clipse’s Hell Hath No Fury, a style of NYC hardcore via Mobb Deep’s Blood Cash, an earful of jazz-sampling soul from the midwest with Lupe Fiasco’s Meals & Liquor and hit of Bay Space hyphy via E-40’s My Ghetto Report Card powered by the anthem “Inform Me When To Go” (sarcastically produced by Atlanta’s personal Lil Jon). Earlier than the fast accessibility of the web performed an element in spreading the tradition large, and flattening it within the course of, “Stroll It Out” was a shining instance of how a music, and music video, may introduce you to a metropolis and what the folks in it really sound like.
Unk launched “Stroll It Out” right into a rap scene in the midst of a balancing act. Outkast was all however closing the guide on their milestone profession, releasing their remaining venture, the film soundtrack disguised as an album, Idlewild. (One other ode to the endurance of “Stroll It Out”: the music’s 2007 remix is the final time each members of Outkast appeared collectively on file.) T.I. and (Younger) Jeezy had been taking the once-underground lure music style mainstream, whereas Ludacris, an artist identified for his cartoonish strategy to rap, lower off his braids and went for a extra critical tone to launch his finally Grammy-winning album “Launch Remedy.” Whereas rappers in Atlanta had been nonetheless making hits, and on the cusp of shifting the hub of your entire tradition south, the precise “enjoyable” ingredient of the music was beginning to wane. With its hypnotic bass and synths, “Stroll It Out” got here with repeated directions that put everybody in a trance. Unk’s tunes helped maintain the social gathering going whereas many had been deciding they had been turning into too cool to bounce.
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Because the songs exploded domestically after which nationally, the hits on Unk’s debut album, Beatin Down Ya Block, resuscitated Large Oomp Information as a mannequin for self-sustained success. All through the Nineteen Nineties Large Oomp set a blueprint for a way impartial rap labels may thrive in a metropolis identified extra for main label-affiliated R&B and rap artists. They broke artists on their roster by that includes them on Southern Model DJ mixtapes that had been already extensively common for his or her meticulously-produced remixes and added bass frequencies. These efforts had been additional supported by the DJs spinning the data on the many nightclubs they performed, immediately connecting them with the streets. Add this to Large Oomp’s direct-to-consumer mannequin established behind numerous brick-and-mortar file shops and flea market vendor cubicles and also you had an organization with its personal ecosystem.
After having fun with some native and regional success within the late Nineteen Nineties and early 2000s — with artists like Hitman Sammy Sam, Child D, Lil C, Loko and Intoxicated — the label all however disappeared as Atlanta’s rap scene kicked into overdrive post-9/11. A lot of this may be blamed on a lot of their artists dealing with authorized troubles or dabbling within the streets, halting their outputs and limiting their visits to the studio. However the firm stayed related via their Oomp Camp Reside TV present on UPN affiliate Channel 69 and rising their file shops that carried Hip Hop albums, mixtapes, DVDs and magazines that you simply could not discover at your native Kroger or Finest Purchase. So though their label aspect lay dormant for a spell, the infrastructure was in place to fulfill Unk’s dance-inspired music in its second, serving to it take off through the peak of the “snap” period. Nearly 20 years later, “Stroll It Out” and “2 Step” are nonetheless assured social gathering starters, evoking a particular time in Atlanta. Staying ready for the fashionable marathon that’s the music business, Unk helped Large Oomp dash to the highest of the charts by staying of their lane.
Figures like Jermaine Dupri, Ludacris, T.I., Jeezy, Gucci Mane, Future, Younger Thug and Lil Child offered themselves as rap incarnations of town’s lengthy lineage of Black mayors, appearing as a conduit between town’s music and the company pursuits seeking to are available in and capitalize. Seen, however not all the time touchable. However, as an organization and crew, the always-independent Large Oomp Information was extra akin to the late and beloved Atlanta activist Hosea Williams, who is usually credited for creating the phrase “unbought and unbossed.” In a position to set their very own tempo and developments, Unk and Large Oomp maintained an eye-to-eye, hand-to-hand reference to the neighborhood it got here from.
