As one of many founding pillars of the Bay Space thrash steel scene, Dying Angel has carved out a legacy that spans 4 many years, but drummer Will Carroll believes the band’s recognition nonetheless would not match their contributions to the style.
Talking on a brand new episode of the Pod Scum podcast with host “Reckless” Rexx Ruger, Carroll — who joined Dying Angel in 2009, changing authentic drummer Andy Galeon — shared candid ideas concerning the band’s standing inside the thrash group. When requested the place Dying Angel suits within the pantheon of Bay Space thrash, Carroll did not mince phrases:
“That is a tough query. The place does Dying Angel match within the Bay Space thrash group? I imply, it is gonna be a biased reply, clearly, ‘trigger I am within the band. However I feel Dying Angel needs to be a hell of so much larger than they’re. And I am not fairly certain why that’s, that they have not had extra success.
“I imply, we’re profitable, however I feel Dying Angel needs to be far more profitable and taking part in higher spots on festivals, higher slots on festivals and greater excursions and every little thing. They’ve paid their dues they usually’ve put out a protracted string of killer albums, earlier than I used to be within the band and since I have been within the band.”
Dying Angel‘s historical past is inseparable from the evolution of American thrash steel. Fashioned in 1982, the band emerged alongside titans like Metallica, Exodus, and Testomony, releasing their acclaimed debut The Extremely-Violence in 1987 when most of its members have been nonetheless youngsters. Recognized for his or her technical prowess, Dying Angel stood out in a crowded area, however frequent lineup adjustments and a tragic tour bus accident in 1990 led to a decade-long hiatus.
Reuniting within the early 2000s, Dying Angel returned with a vengeance, releasing a string of well-received albums together with The Artwork of Dying in 2004, Relentless Retribution in 2010, and Humanicide in 2019 — the final of which earned a Grammy nomination for Finest Metallic Efficiency. Regardless of that momentum, Carroll nonetheless feels the band’s grind hasn’t translated into the mainstream recognition they deserve.
“I am not making an attempt to sound like I am patting myself on the again, however we’re arduous staff, man. And we have toured our asses off prior to now 16 years since I’ve joined. And we have toured far more since I’ve joined than they did the primary time round. And I am not even gonna take the time to determine why they don’t seem to be extra profitable than they’re. However — no matter — I feel the band needs to be additional alongside. And it isn’t ‘reason behind lack of arduous work on our finish.”
Dying Angel is hitting the highway this November and December for a tour celebrating their 1990 file Act III. The tour kicks off on November 26 on the Oriental Theater in Denver, CO and wraps up with two Christmas reveals at The Fillmore in San Francisco, CA. All dates might be opened by Poisonous Holocaust, Lions At The Gate, and Misfire as assist except in any other case famous. Get your tickets right here.
11/26 Denver, CO Oriental Theater
11/28 Joliet, IL The Forge
11/29 Davenport, IA Capitol Theater
11/30 Minneapolis, MN Varsity Theater
12/2 Indianapolis, IN Vogue
12/3 Pittsburgh, PA Mr Smalls Theater
12/4 Brooklyn, NY Brooklyn Monarch
12/5 Worcester, MA The Palladium
12/6 Albany, NY Empire Stay
12/7 Studying, PA Reverb
12/10 Dallas, TX Southside Ballroom
12/11 Houston, TX Warehouse Midtown
12/12 Corpus Christi, TX Home of Rock
12/13 San Antonio, TX Vibes
12/15 Albuquerque, NM Sunshine Theater
12/16 Tucson, AZ 191 Toole
12/17 Los Angeles, CA The Belasco
12/18 San Francisco, CA The Fillmore (Dying Angel solely)
12/19 San Francisco, CA The Fillmore (Dying Angel solely)
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