What’s “Star Trek” in 2025?
That is the query followers will certainly be asking after they end watching “Star Trek: Part 31,” the brand new Paramount+ film that actually takes the enduring science fiction franchise the place it hasn’t gone earlier than. Set past the reaches of the Federation, and with barely any Starfleet characters to be discovered, it is a nook or the Trek universe hardly ever explored on display screen — seedy, lawless, violent, and gleefully freed from the pesky “ethics” and “utopian beliefs” that the movies and exhibits in Gene Roddenberry’s milieu so generally lean upon. “Star Trek” has all the time acknowledged that the galaxy could possibly be this nasty, however it often showcased it by the eyes, and beliefs, of stalwart leaders, scientists, and diplomats. However in “Part 31,” the universe is saved not by courageous people doing the precise factor, however by violent, nasty a-holes who know learn how to punch, stab, and shoot their approach by a nasty scenario.
So, as soon as once more, is it “Star Trek” if it is set within the Star Trek universe, however intentionally avoids the standard parts that outline “Star Trek” for thus many? It is the query that I think about “Part 31” will mild on fireplace amongst followers, and a dialog definitely value having. However standing by itself, “Part 31” definitely delivers a selected set of products: that is an especially entertaining slice of B-movie motion trash, one which has the distinct odor of “Gerard Butler in January,” and it is definitely not like the rest we have ever seen bear the Trek title. It is goofy and foolish and typically very ridiculous, however there is no denying the easy pleasure of the entire thing.
Star Trek enters its B-movie sleaze period
Technically a spin-off of the recently-concluded “Star Trek: Discovery” (and largely made by “Disco” veterans, together with author Craig Sweeny and director Olatunde Osunsanmi), “Part 31” locations one of many nastiest, most unpredictable characters in Trek historical past on the middle of the motion. Michelle Yeoh’s Philippa Georgiou, the bloodthirsty tyrant and warlord from the notorious “Mirror Universe” who’s now stranded in Trek’s prime universe, is as soon as once more recruited by Part 31 (aka Starfleet’s CIA-flavored black ops division) to embark on a mission of grave significance. Joined by a ragtag staff of unhinged, harmful weirdos (and one Starfleet overseer), she has to, you understand, save the galaxy. However this staff would not have to fret concerning the issues that will hassle Picard and Spock. Like morals.
It is clear that “Part 31” is constructed to enchantment to motion followers past the core Trek viewers, and the preliminary set-up screams “Mission: Inconceivable” or “Quick & Livid,” however the streaming funds and normal sense of griminess that permeates the entire thing higher recollects B-movie junkfood like “Den of Thieves.” And admittedly, that is advantageous. “Star Trek” is at its most pure when it is smaller, jankier, and stranger, and regardless of “Part 31” seemingly making an attempt to be the good factor within the room, it is really fairly dang dorky, leaning as closely on nerdy franchise particulars as a lot because it does on sword fights, phaser battles, and Michelle Yeoh kicking dudes within the face. And that is the way it ought to be: “Star Trek” that is not dorky is not “Star Trek” in any respect.
And truthfully, “nerdy B-movie sleaze” is a taste of Trek we’ve not seen earlier than, and one which I discovered myself more and more having fun with because the movie’s whirlwind tempo dragged me alongside by set piece after set piece.
A solid of Star Trek scoundrels to die for
As supposed, “Part 31” is the Michelle Yeoh present, and he or she wears Georgiou like a spiky, vampy, blood-soaked glove at this level. Both you get pleasure from watching Yeoh strut and kick and smirk by motion scenes, or you don’t have any style. Maybe probably the most nice shock of “Part 31” is that she’s surrounded by a solid of latest characters who demand equal consideration. Omari Hardwick offers stable grounding because the staff’s resident “regular man,” though his backstory is un-normal sufficient to boost some eyebrows if you understand your Trek lore. Kacey Rohl is a delight as by-the-book Starfleet rep Rachel Garrett (followers might acknowledge that title), whose “if you cannot beat ’em, be part of ’em” descent to her colleagues’ stage offers a number of the film’s largest laughs. And nobody understands the project fairly like Sam Richardson, whose shapeshifting, immoral scientist is hoot in nearly each scene. The most effective factor I can say about this staff of dirtbags is that I’d fortunately watch them in one other journey, and the movie is not shy about leaving room open for a sequel.
Nonetheless, the entire endeavor does have the distinct style of “backdoor pilot,” which is smart since “Part 31” was initially going to be a streaming collection earlier than it pivoted to the trendy equal of direct-to-video film. You may ceaselessly see the motion scenes pushing in opposition to the boundaries of its smaller funds, though Osunsanmi does his damndest to let the kooky motion go as onerous as doable, even when the visible results funds cannot fairly sustain. On this case, I discovered myself appreciating that the movie would reasonably look low cost than polished if it means a number of the extra outrageous motion beats may come to any sort of fruition. Trek followers used to the polish of “Unusual New Worlds” could also be shocked, however the off-the-cuff cheapness of “Part 31” can be a badge of honor — just like the Authentic Sequence again within the ’60s, “Part 31” all the time lets its goals outpace its funds.
Star Trek: Part 31 and the query of what defines Star Trek
In order that brings us again round to the query that opened this evaluation. What’s “Star Trek” in 2025, and does one thing as totally different as “Part 31” qualify as “Star Trek”? Whereas it is definitely not my splendid taste of Trek, and one which I’d hate to see change into the default tone, it is a franchise constructed upon multitudes. If “The Subsequent Technology” may sandwich complicated tales of ethics and scientific thought round goofball hours the place the crew are transported into the story of Robin Hood by a godlike alien with a nasty humorousness, certainly Trek is allowed to veer into motion trash mode for a TV film. Any rewatch of the Authentic Sequence reminds us that “Star Trek,” for all of its high-minded beliefs, is constructed upon a gleeful, wobbly basis of outrageous junk. The fantastic thing about “Star Trek” is that it is kinda, sorta the whole lot, and we’ll argue concerning the nature of that the whole lot till the solar burns out.
So right here I’m, giving “Star Trek: Part 31” my advice with the data that it’ll flip off a number of Trek followers who need this franchise to be unique stylish onerous sci-fi, and in addition the data that its inherent dorkiness and reliance on deep reduce Trek references may alienate these searching for time with some dumb motion. What’s “Star Trek” in 2025? It is one thing particular and unusual and alienating sufficient to not be for everybody. And that is “Part 31.”
/Movie Ranking: 7 out of 10
“Star Trek: Part 31” is streaming on Paramount+ beginning January 24, 2025.