Metallic Injection has topped Revocation as its Artist of the Month for September 2025, a becoming honor because the Boston-born excessive metallic stalwarts gear as much as launch their most formidable and apocalyptic document but: New Gods, New Masters.
For twenty years, Revocation has pushed the boundaries of utmost metallic, mixing technical precision with fearless songwriting. On New Gods, New Masters — their fifth launch for Metallic Blade and ninth full-length general — the quartet delivers 9 blistering tracks of musical ferocity and lyrical gravity. Produced by frontman Dave Davidson and combined/mastered by Jens Bogren (The Haunted, Spiritbox), the album explores the chilling intersection of expertise, synthetic intelligence, and humanity’s unsure future.
“I have been very fascinated with the event of Synthetic Intelligence, and I am deeply involved the place this might lead humanity,” says Davidson. “Whether or not it is the gradual march in the direction of a technological dystopia or the all-out annihilation of our species.”
The tracklist boasts a formidable lineup of collaborations. Jonny Davy (Job for a Cowboy) lends inhuman vocals to the sci-fi horror-inspired “Cronenberged,” whereas Travis Ryan (Cattle Decapitation) amplifies the chaos on “Confines of Infinity.” Legendary Luc Lemay (Gorguts) closes the document with a brutal, emotional activate “Buried Epoch,” and acclaimed jazz guitarist Gilad Hekselman supplies a mesmerizing outro solo on “The All Seeing.”
Longtime followers will acknowledge Revocation’s trademark mixture of precision riffing and conceptual depth, however New Gods, New Masters can be marked by a renewed vitality because of newer members Harry Lannon (rhythm guitar, backing vocals since 2023) and Alex Weber (bass), alongside drum powerhouse Ash Pearson.
As Davidson explains, the album title displays humanity’s ongoing seek for one thing to worship. “It appears as if that need is encoded in our DNA,” he says. “As science and our understanding of the universe enhance, the religions of the outdated gods begin to develop into out of date. Nevertheless, I consider we have changed our outdated gods with new ones, worshipping expertise and making a cult-like idolatry of innovators.”
Marking their 20th anniversary, Revocation continues to evolve whereas staying true to their uncompromising imaginative and prescient. From their 2008 debut Empire of the Obscene to 2022’s Netherheaven – hailed as their “darkest, heaviest” work so far – the band has toured over 25 international locations and earned a popularity as considered one of excessive metallic’s most technically masterful acts.
The hanging album art work by Paolo Girardi encapsulates the document’s themes with a surreal imaginative and prescient of a “new god” born of enamel and wires, affected by callbacks to Revocation‘s earliest days.
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