Tuesday, October 14, 2025

Wednesday: Bleeds Album Overview | Pitchfork

The final time Fleetwood Mac performed “Silver Springs” dwell was in 2015. Stevie Nicks took the stage at Auckland, New Zealand’s Mount Good Stadium and sang, as she had a whole bunch of occasions earlier than, the best break-up ballad ever put to tape. Mere toes away was Lindsey Buckingham, the person she’d written it about almost 40 years prior, harmonizing on the refrain. Such feats of sustained annihilation are, by definition, tenuous—Buckingham himself has stop Fleetwood Mac twice, as soon as of his personal volition and as soon as of Nicks’—so it wasn’t completely stunning when, in a GQ profile earlier this yr, MJ Lenderman confessed {that a} latest Wednesday present had been his final with the band. A banner 2024 took its toll on the guitarist: Wednesday launched into 5 separate excursions; Lenderman put out the solo album Manning Fireworks; and one March evening in Tokyo, he and Karly Hartzman mutually determined to finish their romantic partnership.

On the barnburning, joyriding “Chosen to Deserve,” from Wednesday’s 2023 breakthrough Rat Noticed God, Hartzman took account of her youthful misdeeds, “simply so what you signed up for, what you’re coping with.” The glow of affection makes shadow puppets of disgrace, guilt, and self-recrimination, just for new fears to take their place. What when you get up in the future and notice I’m not all the pieces you thought I used to be? The sixth Wednesday album is known as Bleeds, and so Hartzman does for 12 tracks, as guitar strings and lap metal wires snag her phrases like rusty nails. Her writing is as richly fetid as ever—replete with bar brawls, murder-suicides, Afrin addictions, and serial killers—however a vibrant crimson yarn of heartbreak wends its means between these songs, little cuts coming collectively to kind one gaping wound.

Not like, say, Rumours, Bleeds isn’t all explicitly about Lenderman. The album is collage portraiture; from the faces of many males emerges a composite topic, a perennial golden boy who comes away unscathed from confrontations with biker gangs, who may drink nothing however Pepsi and by no means lose a tooth. Buckingham famously gave nearly as good as he bought, however Lenderman lets his guitar fill in for his traces. You’ll be able to hear each shitty basement gig he’s ever performed within the lovers’ quarrel of a solo on the climax of “Bitter On a regular basis.” When Hartzman does tackle Lenderman instantly, as on “Elderberry Wine,” it’s devastating: “Stated I wanna have your child/Trigger I freckle and also you tan.” Candy music is a protracted con, certainly.

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